Recent Work

Books:

• Existential Stationary: 42 Mad Men Haiku (SPAM Press, 2018)
• lana del rey playing at a stripclub (Mermaid Motel, 2019)
• nature sounds without nature sounds (Sad Press, 2019)
• Rainbow Arcadia (Face Press, 2019)
• Pure Sound (SPAM Press, 2019)
• Virga (Earthbound Press, 2020)
• infra·structure (Broken Sleep Books, 2020)
• Chlorophyllia (OrangeApple Press, 2020)
• the weird folds: everyday poems from the anthropocene, edited with Rhian Williams (Dostoyevsky Wannabe, 2020)
• neutral milky halo (Guillemot Press, 2020)
• Miss Anthropocene (Mermaid Motel, 2021)
• Sonnets for Hooch: Lemon Bloom Season – with Mau Baiocco and Kyle Lovell (Mermaid Motel, Fathomsun Press and Rat Press, 2021)
• varnish//cache (If A Leaf Falls, 2021)
• Polychromatics (Legitimate Snack, 2021)
• Soft Friction – with Kirsty Dunlop (Mermaid Motel, 2021)
• Sonnets for Hooch: Summertime Social – with Mau Baiocco and Kyle Lovell (Mermaid Motel, Fathomsun Press and Rat Press, 2021)
• The Luna Erratum (Dostoyevsky Wannabe, 2021)
• Leave Bambi Alone (Mermaid Motel, 2022)
• Sans Soleil – with fred spoliar (forthcoming, Face Press and Mermaid Motel, 2022)

Press/Reviews:

• ‘Foam theory’ selected for Best Scottish Poetry 2021 by Hugh Mcmillan for the Scottish Poetry Library
• Lillian Salvatore reviews The Luna Erratum (Glasgow University Magazine)
• Poetry review: Maria Sledmere – The Luna Erratum by Holly Fleming (Snack mag)
• ‘Meet A+E Collective, a multidisciplinary group of young Glasgow-based creatives working for a better future’ (It’s Nice That)
• A+E Collective on Engaging Creatively with Climate Crisis, in SCAN
• ‘Hybrid Flotsam’ – Shehzar Doja reviews neutral milky halo in Gutter issue 24
• the weird folds mentioned in nicodemus nicoludis’ ‘From “Rock into Bread”: A Taxonomy of Today’s Ecopoetry’ in The Poetry Project Newsletter
• the weird folds mentioned on BBC Radio 3 ‘Eco-Criticism’ programme
• Charlotte Geater and Sam Solnick name nature sounds without nature sounds and infra·structure among their 2020 books of the year for The White Review
• Review: Susannah Thompson on the weird folds
• Review: Billy Mills on neutral milky halo 
• Revicule: Calum Hazell on infra·structure in Erotoplasty Issue 7 part 1
• Essay: ‘“rainy climes and emerald fish” / “like downloads”’ by Colin Herd
• Review: Joanna Lee on nature sounds without nature sounds in The Poetry Review
• Protest Poetry: UCU university strikes & creative solidarity in The Skinny
• Harriet blog (The Poetry Foundation) on my review of Rachael Allen’s Kingdomland
• Sam Riviere lists Lana Del Rey playing at a stripclub as one of his 2019 books of the year for The White Review
• Bethany Mitchell reviews nature sounds without nature sounds for amberflora 
• Piece on The Absent Material Gateway in Dazed
• Piece on SPAM in Dazed 
• Spam x Glasgow International in Glasgow Live
• Nature Writing Workshop in Munich, June 2018. British Council Press Release
• Colin Herd reviewing Existential Stationary in Adjacent Pineapple
• ‘Best of the Net 2018 Anthology’ Nomination for short story ‘Peanut Butter’, by L’Ephemere Review \

Interviews

• The Ginger Collect 
• ‘Can you noodle a synth?’ – ‘Materials’ interview with SPAM for Dostoyevsky Wannabe
• ‘SPAM on making poetry cool again’ – SPAM Interview with Katie Goh for The Skinny
• Show #3 ‘Cut Your Hair and Get a Job’ – Spam Interview on Subcity Radio
• A+E Collective Interview: Assembly Aberdeen
• Pop Matters: in and out of lockdown
• ‘Vitamins and Minerals: Maria Sledmere and Rhian Williams’ interview with Dostoyevsky Wannabe
• Interview with From Glasgow to Saturn 
• ‘the weird folds: an interview’ in English Shared Futures Online
• Interview with A+E Collective in Adapt + Act Magazine 
• Interview with Karen Sandhu about neutral milky halo

Anthologies

• MOTE, edited by Ryan Edwards, Dominic Hale and Maria Sledmere (2018). Cover art by Maria Sledmere.
• Writings from Inverclyde: 2017-2019, ed. by Anjeli Caderamanpulle, Eloise Birtwhistle, Kirsty Dunlop and Maria Sledmere.
• makar / unmakar, an anthology of poets in Scotland, edited by Calum Rodger and published by Tapsalteerie.
• On Being Used: A Strike Zine, ed. by Sophie Colins, Kirsty Dunlop, Jane Goldman, Colin Herd, Maria Sledmere.
• MonteCarlo 1: A+E Recordings, an anthology of notes, visual materials, poetry, research and commissions from A+E Collective.
• beware of these bereft dream cakes, a zine feat. work by Gloria Dawson, Kirsty Dunlop, Katy Lewis Hood and Maria Sledmere
• cheeky fruit, a zine feat. dreams by Kirsty Dunlop and Maria Sledmere
• tiny // seismic, a zine of work compiled from ‘Writing “Nature” and Ecology’ (Spring, 2020)

Podcasts

• End of Year Discussion 2017, with Lorenzo Pacitti (LP Records), Tom Jonson (GoldFlakePaint) & Craig Angus (Savage Mansion) 
• ‘Grass’, recording of Kathleen Fraser’s poem for Konch Poetry.
• URL Sonata and Lunch Club (ongoing, with SPAM Press)
• ‘Nature Writing with The Nature Library’, Podcast for the Glasgow Women’s Library Open the Door 2020 (with Jennifer Wood, Rebecca Jones and Christina Riley)
• Speculative Books – for Edwin Morgan
• Soft Shell Episode 1
• A+E Collective ~ BIOSYSTEMS: Dark Mycology 1.1
• SPAM zine & Press takeover for Clyde Built Radio (28/11/20)
• A+E Collective Dreamcast for Clyde Built Radio (25/4/21)
• The Palace of Humming Trees takeover for Clyde Built Radio (31/7/21)
• With the Boys: An Interview with fred spoliar for Clyde Built Radio (21/10/21)
• Appearance on Andrew Wells’ The Interpreter’s House Podcast 
• Poetry, Popular Culture and Video Games by Poetry in Aldeburgh 

Collaborative and Commissioned Work

• ‘The Absent Material Gateway’ (2017) – sound/text/archive/installation project with Lanark Artefax and designer Martins Daknis
• ‘Outro’ – (2018) acting/poetry (‘Remember Me’) in collaboration with Shanine Gallagher, Gabriel Greenough, Ciaran Devlin, Rory Green and Gianluca Bernacchi.
• North Sea Dialect (Numbers, 2018) – poems
• ‘Trauma Response Unit’ (2018) – collaboration with A+E Collective as part of the ‘Flesh and Finitude’ exhibition (curator: Zsófia Jakab) at GeneratorProjects within NEoN Festival in Dundee.
• The Notebook (2018) – reimagining of J. S. Bach’s Notebook for Anna Magdalena in collaboration with Scott Crawford Morrison
• Dream Fettuccine (2019) — collab with Colin Herd for The Enemies Project/Camarade, curated by SJ Fowler and performed at Rich Mix, Shoreditch.
• The Microbiota (2019)— image/text collab with A+E Collective for MAP Magazine’s issue #49: ‘Couldn’t We Just Bee?’
• Cli-Fi: The New Weird (2019) — collaboration with A+E Collective, filmmaker Winnie Brook Young and Creative Carbon Scotland/Green Tease for UNFIX Festival. Workshop and film screening at CCA, Glasgow. 
• ‘Inbox Unconscious’ (2019) — collab with Sophie-Carolin Wagner for the European Poetry Festival, curated by SJ Fowler and performed at the International Anthony Burgess Centre, Manchester.
• ‘On My Way Home’ (2019) — reading group on ecology, home and belonging hosted with A+E Collective and Market Gallery.
• ‘A Little Tempest’ (2019) — article co-written with Ane Lopez and Finn Arschavir of A+E Collective. Published in Psyche 2: CONFRONTATIONS.
• A+E Eco-clinic (2019) — Presentation, meditative sequence and clay-making workshop commissioned by Tendency Towards for Aberdeen Assembly
• Pure Sound: Traversing the Ambient Vernacular (2019) — Sonic essay performance with Max Parnell for Sound Thought: Motion. University of Glasgow.
• The Curator’s Workshop (2019) – Presentation, workshop and film screening with A+E Collective at CCA, Glasgow.
• NOTES Launch, issue 6 (2019) – Presentation and reading with A+E Collective, in association with TalkSeePhotography at CCA, Glasgow.
• ‘from sans soleil‘ (2020) – poem written with fred spoliar in Erotoplasty Issue 7 part 2
• ‘The Rosarium’ for Zoee’s album, Flaw Flower (Illegal Data 2021)

Academic/Journal Articles:

• Review: Nad Haq (ed.) RAVE: Rave and Its Influences on Art and Culture – The Kelvingrove Review Issue 16, Rise and Fall
• Conference Report: ‘Allowing one’s metaphors to mix’: Performances and Perspectives at the Peter Manson Symposium’ in The Journal for Innovative British and Irish Poetry
• Article: ‘Hypercritique: A Sequence of Dreams for the Anthropocene’ in Coils of the Serpent Issue 8
• “Just to distract you like the inside”: a correspondence wrapped up in Bernadette Mayer’s poetry, in post45, Bernadette Mayer cluster (with Colin Herd)
• ‘I, Cloud: Staging Atmospheric Imaginaries in Anthropocene Lyric’, Moveable Type, Issue 13

Gilded Dirt

• Issue 1
• Issue 2: Supermarket Verse
• Issue 3: Vibrant Ruins

Poetry

• ‘Calanais’ – From Glasgow to Saturn issue 39
• ‘obelisk disco’, ‘Paleo Foods’, ‘Osculation’ in Adjacent Pineapple issue 2
• ‘A Piece of Sea Heart’ – amberflora issue 1
• ‘a precious glitch’ – Under issue 1
• ‘Tanqueray’ – E-ratio, issue 25 
• ‘To My Brother, Far Far Away’ – Sawney Lit Magazine
• ‘Beautiful Anatomical Diagrams’, ‘Oread #2’, ‘Pear Tree Synecdoche’ – Erotoplasty, issue 1
• ‘the coral channel’ ~ Amberflora issue 2
• ‘Altitude Fugue’ – ZARF issue 11
• ‘Choir Girl Litanies’ – five poems written for Martha Ffion Album Launch @ Mono, Glasgow 10/3/18 with design by  Douglas Pattison.
• ‘At the Gin Tasting’ – Really System issue 18
• Four Poems in NOWHERE zine Volume 1
• ‘Disposable Lighter’ – former cactus 
• ‘hibiscus synthesis’ – Plumwood Mountain 
• ‘Radials’ and ‘Essay in Firs’ – Gutter issue 18
• ’99 Rare Candies’ in Datableed issue 10
• ‘Object Sheltering’ in Cumulus, issue 2 
• ‘Sunday Best’ and ‘Is There a Possibility of No Space’ in Plaster Cocktail Zine, Vol. 1
• ‘Lend Me’ and ‘Lost Your’ in Cloud Catcher zine, issue 1
• ‘Security Deluxe’ and ‘Autumn Equinox’ in Anti-Heroin Chic
• ‘Cherry Pie at the Latent Picnic’ and ‘Millennial Weathering’ in Flesh + Finitude (ed. Zsófia Jakab)
• ‘Ariosos for Lavish Matter’ in Blackbox Manifold
• ‘In.It’, in ‘Dancing with Death’ anthology, ed. by Amy Shea in association with the Hunterian
• ‘miss_anthropocene’, in Xylem/Phloem anthology, ed. by Siobhan Mulligan 
• ‘KEUPPIA’ in Remembrance zine 
• ‘poem brut #67: somnambulist manuscripts’ in 3:am Magazine
• ‘Time Travel Paradise’, ‘Proxy Fountain’ and ‘Flip-Side’ in Snek Poetry 
• ‘Oolong’ in Stride Magazine
• ‘Melancholic’ in Stride Magazine
• ‘Agrilogistics’ in Stride Magazine
• ‘Seapunk Portals’ in para·text  issue 7
• ‘4st 7lbs’ in ‘ecopoetics’ issue of Stand
• ‘Practical Mineral Magick’ and ‘Blood Moon Entropy’ in epizootics! issue 3
• ‘Solar Residue’ in MOTE issue 5
• ‘Pepsi’, ‘Soup Faerie’, ‘Everyone He Kissed’ in Get Well Soon: poems from shared experience of self-isolation
• ‘Nebula in Andromeda’ and ‘Eccentric Orbit’ in The Edwin Morgan Centenary Collection (Speculative Books)
• ‘silent spring’, ‘X AE A-12’ and ‘Low Quality Lovely Broadway’ in Superspreader zine, ed. by Anna Danielewicz
• ‘Unplugged in New York’, in Seen from Here: Writing in the Lockdown
• ‘from Swerve‘, PROTOTYPE 2
• ‘Princess Peach was a Carnivore’ and ‘Seven Kinds of Gossip’ in Daughterhood zine issue 1
• ‘Brain Platter’ and ‘Menu Items’ in Gutter issue 22
• ‘Graphite’ in bath magg issue 4 
• ‘Shoegazer’, ‘#ffd700’, ‘Neutral Milky Halo’ and ‘Lycanthropy is back by a certain fashion’, in Erotoplasty issue 7 (part 1)
• ‘Lifestream’ in PAIN issue 4 
• ‘soap poem’ and ‘dream season’ in OrangeApple Press soap anthology
• ‘In Lieu of a Crisis Tattoo’, recommender engine (glyph press)
• ‘Croquet Not Available’ and ‘Laminaria’ in Rewilding: An Ecopoetic Anthology
• ‘Wallasea Island Solution’ in Anthropocene Poetry Journal
• ‘It Isn’t the Mist’, part of special article ‘Why I Choose Poetry (What’s Nation Got to Do with It? What’s Gender Got to Do with It?): A Collective Poetry-Essay by 21 Poets Encountered in Scotland (2016–19)’, ed. by Jane Goldman, Contemporary Women’s Writing
• ‘Lower Your Cortex’, ‘Yesterday’, ‘Selected Ambien Worms’, ‘Aspartame Labour’, ‘Orchil’, ‘Olafur Eliasson’, in Litmus: the lichen issue
• ‘Am I to be nowhere, gently?’ in collaboration with Scott Morrison for SPAM Plaza 
• ‘Ode to the Yamaha SPX90’, ‘Butterfly Pea Flowers, Light Years Away’ and ‘LA in November’ in THE MOON AND THE ECHO: responses to The Moon and The Melodies (1986) by Harold Budd and Cocteau Twins (Pilot Press, 2021)
• ‘Glitch Meridian’, ‘Small Deciduous Trees’ and three images in Tentacular issue 7
• ‘FOUR STRAWBERRIES ARE ALSO JEALOUS: A CASCADE’ in Virtual Oasis (Trickhouse Press)
• ‘Heaven’s Expense’, ‘Lark’ & ‘Nuptials’ in Hotel
• ‘from A Sun Journal‘ and ‘TEEN CANTEEN’ in Babel Tower Notice Board
• ‘Self Portrait at 27’ in MAI: Feminism & Visual Culture
• ‘But the Hard Glass’ + 3 images in ‘Blue and Green Project’
• ‘Lifestream’ in Scottish Poetry Library Poems of the Year 2020
• ‘When is the Best Time to Announce a Floral Pregnancy?’ in PROTOTYPE 3
• ‘Meadow Talk’, in MAGMA Anthropocene issue
• ‘Big Natural Course’, with fred spoliar, Babel Tower Notice Board
• ‘On Spotify there’s an official Aphex Twin playlist titled “iTunes”‘, in You’ve got so many machines, Richard: an anthology of Aphex Twin poetry (Broken Sleep Books)
• ‘Prophecy’, ‘No one really dreams any more of the Blue Flower’, Responses to Derek Jarman’s Blue (1993) (Pilot Press)
• ‘Visions’ in The Hythe Open Access (the87press)
• ‘Pop Shrub’ in Poetry Review
• ‘So Not a Birthday Sonnet’, ‘Tiger, tiger’, ‘Riverine Sonnet’ and ‘Freilicher’s Sunflowers’ plus illustrations in Periodicals issue 1from Death of Workers While Building Skyscrapers

Exhibitions/Installations

• Poem: ‘Fort of the Yew Tree’ in Moira Buchanan’s All Washed Up exhibition @ The Harbour Arts Centre, Irvine (2016)
• Trauma Response Unit (with A+E Collective) as part of Flesh + Finitude at NEoN, Dundee, 2018.
• Morphology (2019) — collaborative exhibition with written works alongside artists Louise McVey, Morag Smith and Moira Buchanan. Six Foot Gallery, Glasgow.

Hybrid

• ‘Spells for Milk and Honey’ – DATABLEED, issue 6
• ‘Disco Polaroids’, ‘Astral Pastorals’ – DATABLEED, issue 7 
• ‘Deja Vu’ – OCCULUM
• ‘Triplets for Winter’ – Half Mystic Journal Issue IV
• Archive Texts for The Absent Material Gateway (2017)
• Litanies for Eco-Dissance (extract) – A+E Collective’s publication, But There is No Land Near the End (2018)
• ‘Kettle’, Stride (2019)
• ‘Make Ecology Sweet Again’, The Skinny, November 2019 issue
• Extracts from lanugo in BlueHouse Journal issue 1
• ECLOGUES OF MOTIONAL SICKNESS in Adjacent Pineapple issue 6
• Meadow Fractals for A Soft Landing
• ‘On Foam’ for Futch Press

Essays/Non-Fiction/Reviews

• Reflective Piece: ‘Saving a Life: Anorexia and the Blogging Community’ – Germ Magazine
• Review: Transatlantic Creative Writing Showcase @ the CCA [USSO]
• Reflective Piece: ‘Apple Pie Soup’ – Scottish Book Trust
• Review: Transatlantic Symposium @ Glasgow Women’s Library [USSO]
• Three Essays: ‘Love Letter from the Anthropocene’, ‘Lime Tree’ and ‘Isthmus’ – Numéro Cinq
• Review: Emilia Weber’s ‘Familiars’ for Zarf #9
• Lyric Essay: ‘Elegiac Light: On Dark Pastoral, The Poetics of Dusk’ – L’Ephemere Review, Issue VII
• ‘Start Living Free’ – Hold My Purse
• Review: Colin Herd’s Click & Collect for Zarf 10
• Review – ‘Meadows and Lemons: Ecological Enmeshment in Timothy Berrigan’s “By Letting Rooms”‘ for SPAM zine
• Review – Marianne Morris’ Word/World for Adjacent Pineapple
• Essay: ‘Liminal Labour: A Survival Narrative for Servers’ in Do Not Make The (MAP)
• Guest Blog for Creative Carbon Scotland: But There is No Land Near the End – Reflections on A+E’s debut publication & launch
• Review – The Poetics of Sand: Psammomancy by Brian Lavelle and Mark Valentine – Glasgow Review of Books
• Essay – 21st June – essay daily
• Guest Blog for British Council – ‘Meadows are strangely multifarious things’
• Review: ‘All Woven Feeling: Lyric Transition and Nomadic Exchange in Threads by Sandeep Parmar, Nisha Ramayya and Bhanu Kapil’
• Essay in Burning House Press: Cybergoth Archaeology: The Seductive Datacombs of OPN’s Age Of
• Review – Waitress in Fall by Kristín Ómarsdóttir for The Poetry School
• Reads of the year for Glasgow Review of Books
• Review – Milk Tooth by Martha Sprackland for The Poetry School
• Review: The Last Word on Mum, by Pema Monaghan for amberflora. 
• Conference Report: Beastly Modernisms 2019, for British Society for Literature and Science
• Essay: ‘Estranging Natures: Photography and the Anthropocene’, in NOTES issue 6
• ‘Gelatin poetics: On Rachael Allen’s ‘Kingdomland’ and the meatspace of contemporary feminist lyric’, in Jacket2
• ‘Afloat-ness Preamble on “flotsam”‘, in #2 Afloat 
• ‘The Aura of Plasma Around the Sun’, in #2 -algia
• Review: Notebook of A. by Lucian Moriyama for Adjacent Pineapple
• Revicules: SWATCH by Katy Lewis Hood, Freedom & Prostitution by Cassandra Troyan and Bulbul Calling by Pratyusha in Erotoplasty Issue 7 part 2
• LETTERS FOR/AGAINST WILD INVENTION: reviewing The Wild Book of Invention with Finn Arschavir  in MAP Magazine (part 1) (part 2) (part 3)
• ‘Tangents: letters on Etel Adnan’: a correspondence with Katy Lewis Hood in MAP Magazine (part 1) (part 2) (part 3)
• ‘‘Now now is everything’: Maria Sledmere on two maximalist poets of the Anthropocene’, Poetry London issue 99
• ‘Cloud Shifts’ BlueHouse Journal 
• Anam Creative Launch for MAP Magazine

Reviews & Features for SPAM

• Review: Strange Appetites: The Seductive Contemplation of Supermarket Poetics in Max Parnell’s And no more being outdoors, And no more rain
• Review: Meadows and Lemons: Ecological Enmeshment in Timothy Berrigan’s “By Letting Rooms”
• Review: All Woven Feeling: Lyric Transition and Nomadic Exchange in Threads by Sandeep Parmar, Nisha Ramayya and Bhanu Kapil
• SPAM Cut: ‘p // toG’ by Anthony Daly
• SPAM Cut: ‘southern gothic’ by A. K. Blakemore
• SPAM Digest: ‘Andrew Pekler charts imagined sounds on interactive atlas, Phantom Islands’, by Scott Wilson // ‘Flunks of Ambivalence: On Flarf’, by Andrew Epstein
• SPAM Cut: ‘Blue #1’ by Imogen Cassels
• Essay: Dogs in Fiction (Canine Crisis)
• SPAM Digest: ‘How to Write About a Vanishing World’ by Elizabeth Kolbert // ‘Erasing the signs of labour under the signs of happiness: “joy” and “fidelity” as bromides in literary translation’ by Sophie Collins
• Essay: King of the Normies
• SPAM Cut: ‘When Overfull of Pain I’ by Jorie Graham
• SPAM Cut: ‘THE GENESIS OF THE WORLD IS RETOLD THROUGH THE MOVING IMAGE’ by Loll Junggeburth
• Review: ‘UV Artefacts: Diffusely Yours, by Kate Garklavs’
• SPAM Cut: ‘Therianthrope’ by Jane Hartshorn
• Feature: ‘Volatile Warmth: An Interview with Pratyusha’
• SPAM Deep Cuts 2018
• SPAM Cut: ‘Snow’ by Verity Spott
• Review: Body Work by Tom Betteridge 
• Review: overlove by Geraldine Snell 
• Feature: ‘Blissful Tendencies: An Interview with Robin Boothroyd’
• SPAM Cut: ‘Apple in Water’ by Mary Ruefle
• SPAM Cut: ‘From March, The Month of Winds’ by Gloria Dawson
• Essay: ‘A Shining Mess: Anthropocene Poetics in Caspar Heinemann’s Novelty Theory‘
• Feature: ‘The Reach of a Root: An Interview with Laura Tansley and Micaela Maftei’ 
• Feature: ‘SWAT SIGHT: An Interview with Nasim Luczaj’ 
• Review: ‘Luminous and Curious: Try To Be Better’ 
• Feature: SPAM Deep Cuts 2019
• Review: PAIN Poetry Journal, issue 3 
• Review: Germ Songs by Will Burns and Jess White 
• Feature: ‘slippery things’: An Interview with Rosie Roberts
• Review: Miscellaneous, by Julia Rose Lewis
• Hot Take: Notes on a Conditional Form, by The 1975
• Review: Shia LaBeouf by AK Blakemore 
• Review: Seven Leaf Sermons by Peter Larkin
• Essay: ‘I must love my nothingness’: ecologies of wounding in Mai Ivfjäll’s Weep Hole
• Feature: SPAM Deep Cuts 2020
• Interview with Tawnya Selene Renelle
• Feature: Some Letters – a correspondence with Joe Luna
• Review: Cloud Cover, by Greg Thomas
• Feature: “It’s pretty utopian!” A conversation with Marie Buck, Mau Baiocco and Maria Sledmere pt.1, pt. 2
• SPAM Cut: ‘I RESEARCH THE ORIGINS OF THE MODERN ROSE AND DISCOVER’ by Sarala Estruch
• Feature: Some Notes on Muss Sill by Candace Hill
• Feature: A conversation with Kinbrae and Clare Archibald 

Short Stories/Fiction

• ‘Gorse Wine’ – From Glasgow to Saturn, Issue 38
• ‘Alcove’ – L’Ephemere Review, Issue VII
• ‘Lindaville’ – From Glasgow to Saturn, Issue 39
• ‘500-Year Flood’ – Bad Pony Mag
• ‘My Secret is Silence’, ‘Peanut Butter’ – L’Ephemere Review Issue XI
• ‘Azul’ – Gutter issue 18
• ‘Fifty Sketches for Lua’ – From Glasgow to Saturn issue 41
• ‘A Letter for Cordelia’ – Narissa, issue 1
• ‘Mallwalkers’, epizootics!, issue 3

Flash Fiction

• ‘Scattered Ashes’ – Foxglove Journal
• ‘Winning the Tombola’ – Foxglove Journal
• ‘A Golden Voice’ – Thistle Magazine
• ‘The Queerness of Undine’ – Germ Magazine [March Writing Challenge Featured Story]
• Extract from Mythemes of Citrus: Milk and Honey – Thistle Magazine
• ‘Cordelia’ – The Ginger Collect
• ‘The Actress’ – Word Life Manchester
• ‘Tennents’ – Plaster Cocktail Zine, Vol. 1

GUCW Society Flash Fiction February Anthologies: 
28 Days
Microcuts
Serial Flashers

Artwork

• Firefly Magazine, Issue 9
• DATABLEED zine, Issue 6
• DATABLEED zine, Issue 7
• Cover Art: ‘The Lonely’ by Alexis Bates, via Luminous Press
• L’Ephemere Review, Issue VII
• Cover Art: From Glasgow to Saturn, Issue 39
• Cover Art: Ricochet in Other Places, by Harry Brookes-Kent
• Cover Art: MOTE issue 1
• Erotoplasty, issue 1
• Tentacular Mag, issue 1
• Three images: Datableed issue 10
• Two images: Erotoplasty issue 7 (part 1)
• Three images: Litmus: the lichen issue
• Cover design: Bugbear by Katy Lewis Hood (Veer2)
• Cover design: With the Boys by fred spoliar (SPAM Press)

Conferences

• Paper on Zelda Fitzgerald for Transatlantic Women Writers Symposium @ Glasgow Women’s Library, June 2017
• ‘Dark Ecologies of Textual Energy: Anthropocene Aesthetics and Ethics in Ben Lerner’s 10:04 and Tom McCarthy’s Satin Island‘, at Petrocultures 2018 conference, The University of Glasgow, September 1st 2018
• ‘”the mood of the sea is catching”: Channelling the Hydrospace of Contemporary Eco-Poetic Lyric’, at A Place on the Edge: ASLE-UKI 2018, Orkney, September 7th 2018.
• ‘Queer Ecology and the Journaling of Crisis in Derek Jarman’s Modern Nature‘, at Land Lines, University of Leeds, February 2019.
• ‘”a tangential line which opens up to infinity”: Etel Adnan & art-writing in dialogue’ (with Katy Lewis Hood), at Modernist Art Writing, University of Nottingham, June 2019.
• ‘Seams of the Anthropocene: Tracing Textualities of Encounter through Creative-Critical Practice’, at ASLE-uki 2019, University of Plymouth, September 5th 2019.
• ‘A Weeping Receptacle of Infinite Love: Hypercritique for the Anthropocene’, at ASLE-uki 2020, University of Sheffield [online], September 2020.
• ‘I, Cloud: Staging Atmospheric Imaginaries in Anthropocene Lyric’, at A Symposium on Cloud…in the Cloud‘, UCL [online], February 2021.

Performances

• Launch Parties for SPAM #2, #3, #4, #5 @ The Poetry Club
• Haunt You Down w/ The Dirty Lies @ The Poetry Club
• Transatlantic Creative Writing Showcase @ CCA
• Launch Night for From Glasgow to Saturn issue 38 @ The Dram!
• Launch Night for GUM, The Empathy Issue @ The Dram!
• Vagabond Voices: An Evening With Gary Duncan @ Waterstones Byres Road
• JR Green’s C O L O U R  T E L E V I S I O N Club Night @ Blackfriars
• New Writers Showcase @ The Hunterian
• Launch Night for Quotidian Mag @ The Butterfly and Pig
• SPAM #5 launch night @ The Poetry Club
• New Writers Showcase @ CCA, October 2017
• From Glasgow to Saturn issue 39 launch night @ Dram!
• University of Glasgow Reading Party, November 2017
• Boiler House Press Launch @ University of Glasgow, December 2017
• GoldFlakePaint Christmas Secret Show, with Molly Linen, JoJoWorthington and Scott Hutchison, December 2017
• ‘Dare to Speak II’ LGBT Poetry Night @ Kelvin Hall
• Litanies for Eco-Dissonance – performance in collaboration with sound artist Vasilis Al for A+E Disconnection launch, ‘But There There is No Land Near the End’ @ Art School, March 2018
• From Glasgow to Saturn Issue 40 launch @ The Raven, April 2018
• That’s Hot! SPAM vs. Glasgow International Poetry Event @ The Poetry Club, May 2018 (in collaboration with Lucian Moriyama)
• Do Not Make The MAP Magazine Launch @ CCA, May 2018
• nEW wRITERS sHOWCASE in association with West End Festival @ The Hunterian, June 2018
• From Glasgow to Saturn issue 41 launch @ The Dram, Glasgow, September 2018
• Soft Shell @ Poetry Club, November 2018
• Notebook – in collaboration with Scott Morrison for Piuu, @ For Fika Sake, November 2018
• Launch of Pratyusha’s Night Waters (Zarf editions) @ Typewronger books, December 2018
• Launch of Callie Gardner’s Naturally It Is Not (87 Press) @ Category Is, December 2018
• POWER – The Poetic of Women Resistance @ the Space, Glasgow, February 2019
• Camarade/ The Enemies Project @ Rich Mix, Shoreditch, February 2019
• Queer Theory @ Nice n Sleazy’s, Glasgow, February 2019
• Readings: Anna Gurton-Wachter (NYC) & guests @ Good Press, Glasgow, June 2019.
• The Lunar Erratum: Performance for Poem Brut @ Rich Mix, London, July 2019.
• A Pot of Soil: Collaborative performance with Astra Papachristodoulou for Camarade, Torriano Meeting House, London, July 2019.
• Sad Hospitality: A Lyric Essay: P*cha K*cha presentation delivered in Glasgow, August 2019.
• ‘Pure Sound: Traversing the Ambient Vernacular’: audio-lyric essay in collaboration with Max Parnell, delivered at Sound Thought: Motion, University of Glasgow, August 2019.
• Reading: Launch of makar / unmakar, Scottish Poetry Library, Edinburgh 2019.
• Reading: Launch of Colin Herd’s You Name It, Tennents Glasgow, December 2019.
• Reading: Launch of Rainbow Arcadia and SWATCH by Katy Lewis Hood, Typewronger Books, Edinburgh 2019.
• Reading: Just Not #6, Henry’s Cellar Bar, Edinburgh 2019.
• Reading: Launch of makar / unmakar, Typewronger Books, Edinburgh 2020.
• Reading: Psyche: An Evening of Poetry and Spoken Word, Glasgow Zine Library, Glasgow 2020.
• Reading: The 87 Press Launch, The Roebuck London, March 2020.
• Reading: Stay at Home Fringe Literary Festival, May 2020.
• Reading: Queer Theory, ‘Locked Up and Lovely’, May 2020.
• Reading: SPAM does Pop Mutations, June 2020
• Reading: University of Glasgow Creative Writing Showcase, June 2020
• Reading: Seen from Here anthology launch, June 2020
• Reading: English Shared Futures, September 2020
• Reading: Art at Assembly House, October 2020
• Reading: Each Sharper Halo, January 2021
• Reading: Zaza, February 2021
• Reading: Kinning Park Complex Climate Challenge Fund, March 2021
• Reading: orangeapplepress X –algia launch party, April 2021
• Reading: Tentacular Festival, May 2021
• Reading: Pig Mourning Ceremony, May 2021
• Reading: Hit Points Red + Green Launch with Broken Sleep Books, May 2021
• Reading: Locked in Air (A Lemon Hooch Dub) with the87press, August 2021
• Reading: Performance Anxiety, August 2021
• Reading: Wet Grain #2 Launch, September 2021
• Reading: Soft Rupture at Mount Florida Books, September 2021
• Reading: Broken Sleep Books Snackbox launch, September 2021
• Reading: Push the Boat Out x Gutter Takeover, October 2021
• Reading: Zoee gig at The Glad Cafe, October 2021
• Reading: How to Seed the Earth, Poetry London, November 2021
• Reading: SEXKPHRASTIKS and The Luna Erratum Launch, Fruitmarket Gallery, November 2021
• Reading: Play, Pop Culture and Video Games, Poetry in Aldeburgh, November 2021
• Reading: the weird folds in COP time, the People’s Summit/Woodlands Community Workspace, November 2021
• Reading: The Sun, Covent Garden, November 2021
• Reading: The Waverley Bar, Edinburgh, December 2021
• Reading: Poetry Wales, December 2021
• Reading: Out Else, Leeds, March 2022
• Reading: A Nice Time, McNeill’s Glasgow, April 2022
• Reading: Once Upon Blue, The Nunnery, London, April 2022

Workshops

• SPAM Press: Uncreative Writing and Post-internet Poetry, as part of Civic House Saturday School (March 2019)
• ‘On my way home’ Reading Group at Market Gallery (June 2019)
• Eco-clinic as part of Aberdeen Assembly with Tendency Towards/A+E Collective (July 2019)
• The Curator’s Workshop: Living Ecological (October 2019)
• The Ecopoetic Imagination, as part of The Nature Library at Project Café (November 2019)
• Energy (W)rites: Telling the Embodied Stories of Energy, Peacock Visual Arts (February 2020)
• Editing and Publication Workshop with A+E Collective (March 2020)
• Writing ‘Nature’ and Ecology at University of Glasgow Workshop Series (January-March 2020)
• Pop Matters: virtual writing studio series with Conner Milliken (March 2020 – ongoing)
• ‘”I Need to Start a Garden”: Journaling the Crisis Workshop’ – as part of STAY-AT-HOME! FRINGE LITERARY FESTIVAL (May 2020)
• ‘INTEL JINGLE: A Post-internet Poetry Workshop with SPAM Press’ – as part of STAY-AT-HOME! FRINGE LITERARY FESTIVAL (May 2020)
• An Evening w/ Dostoyevsky Wannabe – as part of STAY-AT-HOME! FRINGE LITERARY FESTIVAL (May 2020)
• Pop Matters: Sad Girl Summer Heat Edition @ SGSAH Summer School (June 2020)
• Islands in the Stream (of Consciousness): Pop Matters Does Millport (August 2020)
• SPAM does ASP Fair 2020 (September 2020)
• MLitt Editing and Publication: A Presentation on SPAM Press (October 2020)
• Experimental Journaling and Memoir Workshop with Tawnya Renelle (October and November 2020)
• Tangled! An Ecopoetics of Threads, with Ginkgo Workshop Series (October 2020)
• upcycle your spam: trash poetics and creative reuse with SPAM Press as part of Stay at Home Literary Fringe (October 2020)
• INTEL JINGLE: A Post-internet Poetry Workshop (redux) with SPAM Press for Nottingham Poetry Exchange (November 2020)
• A+E BioXmas Bioparty: A night of eco pecha-kucha (December 2020)
• ‘Writing Refusal, Negativity and Failure’, at University of Glasgow (March 2021)
• ‘Entanglement’ at Becoming Woodland (April 2021)
• Experimental Journaling, with Tawnya Renelle (May 2021)
• The Animal Salon – as part of Post-graduate Animal Studies Symposium (May 2021)
• Digital Dreamland, with Kirsty Dunlop – as part of STAY-AT-HOME! FRINGE LITERARY FESTIVAL (May 2021)
• (Hyper)Pop Matters: a tribute to SOPHIE, with Conner Milliken – as part of STAY-AT-HOME! FRINGE LITERARY FESTIVAL (May 2021)
• Pop Matters does Indie Disco – as part of SGSAH Residency (September 2021)
• Ecopoetry Workshop – Being Human Festival (November 2021)
• Dream Ecologies – Ginkgo Prize/The Poetry School (November 2021)
• Experimenting with Weather, with Tawnya Renelle – Beyond Form Creative Writing (February 2022)
• Ecopoetics and Postcapitalist Desire – Glasgow Goes Green Festival (February 2022)